Synopsis

Shakespeare’s cycle of plays on the Wars of the Roses presents a sub-text suggesting the conflict involved a resurgent neo-Templar order.

Was St George’s Chapel, the spiritual home of this resurrected order designed to embody Renaissance knowledge of the sciences and astronomical alignments that possibly reflected the spiritual views of the Knights Templar?

The symbols used to consider these questions are in use today but do they represent a threat to stability and democracy or the road map to a new Global Renaissance?

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