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* Red denotes the parts of the letter edited out by The Times (For which she salutes the skill of their editors - perhaps we should employ them? - ED)
The apparent dearth of short story writing and publications is
entirely due to the conservative attitudes of accountant driven mainstream publishers over the past thirty years. This can be seen most clearly in the book market generally. Today popular non-fiction consists of ‘B' and ‘C' list celebrities selling memoirs or spin-offs from their particular line of work. Fiction lists, with one or two exceptions show the same names dominating that have been with us for decades.
Not a few of these luminaries should have hung up their computers
years ago, their sales rely on past glories.
Most potential short story readers have no interest in ‘literary
markets'. They are looking for non-experimental tales, well-written
as opposed to over-written with a beginning, middle and satisfying
conclusion. They are offered little or nothing by UK publishing
with the exception of formula written stories in magazines offering
a pot pouri of other delights. At one time evening newspapers in
a small way, commuter supported, used to offer a much wider variety
of genre, but this avenue also disappeared years ago, one assumes
for reasons of advertising space.
However, what mainstream fails to supply, the Web provides. Every
year numerous writers' clubs and assorted institutions in
UK and around the world run hundreds of ‘open' short story
competitions. The most frequently visited pages at www.bookpublicity.co.uk
are those offering details of these. A few minutes work with a search
engine will also produce scores of sites which offer short stories
in every conceivable genre which can be either downloaded or printed
at no charge. It is a culture which has left mainstream publishing
in the age of the dinosaurs.
It could be said this area is strictly for
amateurs as opposed to professionals expecting a fee, also the viability
for a printed hard copy is limited. Presently this, to a certain
extent, is justified. In UK, without the encouragement and hype
attending ‘name' full length novel releases, every book struggles.
It is to counteract this stagnant position online publishing,
print-on-demand, is coming into its own whilst providing collector's
items by selling to niche markets in UK. Therefore, the short story
is still alive and well but flourishes outside the High Street bookshop.
- Dione Coumbe